University of South Carolina, South Caroliniana Library Visual Materials Division
   
Berkeley County Photograph Collection
Once part of an album, the 66 photographs (circa 1900) show plantations, African Americans, horses, hunting, rice threshing, wagons and carts, and churches in Berkeley County, S.C. Some featured landmarks are: Medway, Wappahoola, Mulberry Castle, Dean Hall (bulk of collection), Dockon, Bushy Park, Exeter, Cote Bas, Bippy, Lewisfield, Strawberry Chapel, Strawberry ferry, and pine land house. People who are identified in the photographs include Col. Jim Petigru Carson, S.P. Stoney, and the Stoney family.
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Beulah Glover Collection
In about 1937 Miss Beulah Glover (17 Aug. 1887 - 4 Jan. 1991) opened a photography studio in Walterboro, S.C. Being also an historian, Miss Glover shot many historical scenes in the Lowcountry. She converted some of these images to postcards and sold them in her studio, Foto-Nook. She also used images to illustrate her many articles and books on the history of Colleton County. Miss Glover worked also as photo-journalist, selling her images to the Walterboro newspaper. This small sampling of images by Miss Glover includes prints and negatives and covers the years 1941 to 1952.
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Charleston Earthquake 1886
On August 31, 1886, Charleston and surrounding towns suffered extensive damage from the largest earthquake to ever hit the southeast. The earthquake lasted less than a minute, but caused millions of dollars in damage and many deaths and injuries. The photographs in this collection show the aftermath of the earthquake shortly after it occurred. George LaGrange Cook, a prominent Charleston photographer created the series "Cook's Earthquake Views of Charleston and Vicinity" which featured a total of 200 photographs that could be purchased as souvenirs. A portion of this series, along with earthquake photographs from photographers William Wilson, W.H. Fairchild, J.H. Wisser, and Joseph Hall are contained within this collection.
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E. Don Herd Photograph Collection
E. Don Herd created these negatives while a student at Belton High School, Belton, S.C. and a few later while at Erskine College. Subjects include Belton and Easley high schools athletic teams, clubs, class officers, and homecoming. Community life is also exhibited through negatives of the Belton City Council, businesses, churches, weddings, reunions, portraits, Christmas parades, Scout troops, and a trip to Cuba.
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E.E. Burson Photograph Collection
E. E. Burson worked as a photographer in Denmark, South Carolina, and the surrounding areas of Bamberg County approximately between the years of 1905 and 1920. Burson not only worked in his Denmark studio, but he also photographed town scenes and nearby Voorhees College. Burson’s work is notable because he captured images of both white and African-American townspeople. The E. E. Burson Collection consists of 253 glass plate negatives, as well as 253 contact prints made from the negatives, depicting Voorhees College students and buildings as well as townspeople and town scenes from Denmark, South Carolina.
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E.T. Start Collection
E. T. Start of New York State moved to Camden, South Carolina in 1903, as the photographer at the Kirkwood Hotel. Photographing the Winter Colony and local scenes, he spent time in Camden until c. 1945. This collection of 200 photographs includes images of people, animals, and houses in Camden, S.C., in particular horse-drawn vehicles, horseback riding, polo, the house "Bohemia," and much more.
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George LaGrange Cook Photograph Collection, c. 1880 - 1895
This collection of glass plate negatives of Charleston and Summerville was made by George LaGrange Cook in the 1880s and early 1890s. The son of the famous Civil War photographer, George Smith Cook, LaGrange learned the art of photography from his father. He lived in Charleston and then Summerville before leaving around 1892 to join his father in Richmond, Virginia.
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Harbison Agricultural College Photograph Collection
This collection of 113 photographs, also available through the original photo album, represents Harbison Agricultural College, which began in 1885 when the Rev. Emory W. Williams of Washington, D.C. founded a school to educate young African Americans. In 1899, Samuel Harbison of Pennsylvania and a Board member, donated 20 acres of land. The school relocated to the expanded 87 acres in 1901 and was renamed Harbison College in his honor.
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Heyward Album
This Civil War-era photograph album contains cartes-de-visite photographs of members of the S. C. Secession Convention, Confederate and U.S. Governments, officers of the Confederate and U.S. Armies, S.C. governors, and officers of the South Carolina Volunteers 1st Regiment of Rifles. It also includes unidentified Heyward family and friends and 19th century pictures. Many photographs were taken by Quinby & Co. of Charleston, S.C. This album was donated to the South Caroliniana Library by Katherine Bayard Heyward and Duncan Heyward.
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John Hensel Photograph Collection
A native of Kenton, Ohio, John LeRoy Hensel came to Columbia during World War II, upon being stationed at the Columbia Army Air Base as bomber pilot instructor. Following his return to Columbia in 1946, Hensel opened a photography business in which he extensively photographed children for grade school pictures and many historic people and places throughout the city. This collection contains a series of his photographs from 1949 to 1951.
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John Shaw Billings Photograph Albums, 1875-1939
The series of photograph albums document the time that John Shaw Billings (1898-1975) and his extended family spent at the Redcliffe plantation in Aiken County, South Carolina. Known for his position as the first managing editor of Life Magazine, Billings purchased Redcliffe in 1935 from his uncle Henry Cumming Hammond (1868-1961) for $15,000. Even before the purchase, however, Billings' family had owned the estate since its founding: former South Carolina Governor James Henry Hammond, who was also Billings' great-granfather, built Redcliffe. There are a total of 62 photograph albums in the John Shaw Billings Papers collection, housed at the South Caroliniana Library.
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Joseph Winter Photograph Collection
The 3287 photographs, 207 negatives, 638 slides and including 4 panoramic photographs available online from the Joseph E. Winter (1920-1992) Collection reflect the career of Joseph E. Winter, housing inspector (1955-1965) and director (1965-1980) of the Columbia Rehabilitation Commission. The images comprise many of the streets and buildings of Columbia, SC from the 1960s. The home page includes a special presentation of the panoramic photographs and a long list of streets to choose from and view.
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Kenneth Frederick Marsh Photograph Collection
Many of the over 700 photographs by Kenneth Frederick Marsh (d. 1968) available in this collection have not been published. Some were used to illustrate books by photographer Marsh and his wife, Blanche Marsh. The photographs and negatives depict historic and modern homes, public buildings, textile mills, churches, and scenes of South Carolina and Flat Rock, N.C.
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South Carolina Railroads Photograph Collection
The South Caroliniana Library has been collecting photographs of train stations, depots, rail yards, engines, and rolling stock for many years. The images come in as single items, as part of other collections, or as collections of their own. There are also photographs of railways used by the mining and lumber industries. Presented here are photographs pulled from different sources to provide the researcher with a virtual collection of South Carolina railway related photographs.
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Stereographic Views of South Carolina
This group of 74 stereographs contains images of the damage to Charleston during the Civil War, along with images of Folly and Port Royal Islands. Forts, churches, hospitals and headquarters come to life in these photographs taken by war photographers such as Samuel A. Cooley and John P. Soule. Spanning both the period of the Civil War and Reconstruction, the stereographs include locations significant to the war and the times. Each item features two albumen prints on one side, and some contain information about the photographs or photographers on the reverse. The collection also features anaglyphs (a composite image that provides a stereoscopic 3D view when viewed with 3D glasses) for each stereograph.
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